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accueil:accueil site de aller à : navigation , rechercher actualités 7-8 june 2018, max planck institute for human development, berlin excess images of body, health, morality and emotions across the media the concept of excess is ambivalent: it can signify phenomena ranging from certain religious practices to drug abuse to aspects of consumer culture; it can be an empowering self-description or a stigmatizing judgment. this openness is also reflected in a variety of closely related terms that are sometimes shared by multiple languages, such as "ecstasy," "exstase," and "ekstase" in english, french, and german, but which might also be associated with divergent concepts like "frenzy," "ivresse," or "rausch." the workshop seeks to analyze these facets of excess and asks how excess has been perceived and constructed in different media. it aims to explore how images of the body, health, morality and emotions varied over history, across cultures, and how the media themselves have contributed to the ways in which the concept of excess has been shaped and used. a defining feature of excess is its liminality: it generally denotes some kind of transgression and is in this sense a relational term, referring to a normative order that has been exceeded. often excess evokes negative associations like abundance and waste. in terms of the body and health, exhaustion, burn-out, addiction and overconsumption are phenomena that usually come to mind. nevertheless, the transgressive dimension of the excessive, like the related concept of ecstasy, has also been seen in a positive light, viewing overflow and boundlessness as productive, enabling forces that can release unexpected potentials and bodily resources. defining what constitutes excess is thus itself a matter of measurement, bound up with the negotiation of social limits and norms. as a cultural practice, excess and how it is defined are closely connected to changing ideas about the body, health, and emotions. definitions of excess based on ancient affect theory differ from nineteenth-century conceptions based on thermodynamic models of bodily functions; mechanical views on the body and its "drives" took a different perspective on the risks of overflow and abundance than did models focused on energy and nerves. nevertheless, moral panics about practices like new styles of dancing, forms of collective leisure or party cultures labeled excessive have often been based on similar discourses that can be traced back to pre-modern times. finally, during the twentieth century, understandings of health underwent considerable changes, shifting from a focus on protection against disease to an understanding of actively preserving and securing health. this, too, had implications for conceptions of what constitutes excess. how are different understandings and measurements of risk and security reflected in varying conceptions of excess? how can contemporary conceptions of the "preventive self", the "exhausted self", or the "stressed self" be confirmed, challenged, extended through historical perspectives on excess? what do diverse images and practices of excess tell us about the cultural formation of health norms and how these norms are intertwined with moral norms and emotional practices? in which historical and cultural contexts has excess been portrayed as a figure of growth, overgrowth, or regeneration? which sciences and fields of knowledge have historically informed images of excess? the two-day workshop seeks to explore these questions. it places a special focus on the media through which excessive practices are portrayed and how images of excess vary or circulate across different media, such as printed texts, photographs, different film genres and television. how have these mediums themselves shaped and (re)negotiated concepts of body, health and emotions? in what ways was the medium itself part of or seen as constituting an excessive practice? considering visual media played an increasingly important role in the run of the twentieth century, analyses of visual material are particularly welcome. a central goal of the workshop is to open up an international exchange and to connect perspectives from the history of science, the history of emotions, the history of the body and media history in order to shed new light on a history of health as a cultural history. for more information on the erc bodycapital project (new website): https://bodycapital.unistra.fr/ for registration or information on attending the workshop: schnädelbach, sandra <schnaedelbach@mpib-berlin.mpg.de> the event is part of the research project "the healthy self as body capital: individuals, market-based societies, and body politics in visual twentieth century europe" funded by the european research council under the european union's horizon 2020 research and innovation programme (advanced grant agreement no 694817) led by christian bonah (university of strasbourg) and anja laukötter (max planck institute for human development, berlin). [+] suite présentation films et fiches kits pédagogiques bibliographie de référence erc bodycapital appels à contributions du lundi 9 au vendredi 13 avril 2018 histoire audiovisuelle au xxe siècle : corps, pratiques et émotions école de printemps du projet erc « le soi sanitaire comme capital corporel » le xxe siècle est le siècle au cours duquel, pour la première fois, presque tous les champs de la politique et de la société ont été pénétrés et transformés par les médias de masse modernes. ces relations se manifestent en particulier dans les changements que les films et la télévision ont suscités dans les domaines de la médecine, de la politique sanitaire et de l’éducation. elle commence dès les premiers films médicaux d’enseignement qui ont mis de nouvelles images des maladies et des traitements à la disposition d’un public spécialisé, elle passe par les kulturfilme des années 1920 qui ont répandu une conception moderne du corps dans l’enceinte des cinémas et par les films éducatifs commandés par les pouvoirs publics pour être utilisés en classe, et elle s’étend aux spots de prévention du sida et aux talk shows télévisés sur la santé. les médias de masse audiovisuels reflètent et façonnent en permanence les changements de représentations, de perceptions et de pratiques liées au corps et à la santé, ces changements étant fréquemment sous-tendus par des considérations économiques. de ce point de vue, une histoire du corps, de sa perception et des émotions au xxe siècle est toujours aussi une histoire des médias de masse. l’école de printemps « histoire audiovisuelle au xxe siècle : corps, pratiques et émotions » est une invitation à examiner de manière approfondie et sur une durée de cinq jours, la relation qui existe entre l’histoire du corps et sa politique d’une part, et le film et la télévision au xxe siècle d’autre part. c’est une perspective transnationale qui a été choisie ; elle prendra en compte l’allemagne, la france et la grande-bretagne. cette école de printemps s’inscrit dans le projet de recherche « le soi sanitaire comme capital corporel : individus, sociétés de marché et politique du corps dans l’europe audiovisuelle du xxe siècle ». elle est financée par le conseil européen de la recherche (european research council, erc) et dirigée par christian bonah (université de strasbourg) et anja laukötter (max-planck- institut für bildungsforschung de berlin). en comparant la situation de trois pays (allemagne, france et grande-bretagne), les chercheurs de strasbourg et berlin étudient les processus transformatifs suscités par des facteurs économiques qui ont amené le passage du concept de soins de santé globaux au sein d’un « état providence » à des idées plus récentes de capital humain et de corps sain en tant que capital individuel. les sources de ce travail sont les médias de masse audiovisuels : films non-fictionnels historiques, émissions de télévision et vidéos diffusées sur internet. afin de fournir

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